My paintings are built through layered pours of pigmented epoxy on wood, allowing time, gravity, and viscosity to partially determine the image. Figurative forms emerge, fracture, and re-merge as material accumulates and resists control. I treat painting as an unstable object rather than a fixed image, where erosion, opacity, and transparency register duration and pressure. The work occupies a space between recognition and loss, using the physical behavior of resin to hold memory, interruption, and uncertainty.