With her gaze in peace, we are slightly shown what she has found in the depths of her very being. It is something indescribable in our current language, since forgetting these truths is what prevails today. She remembered it, because they transmitted the secret to her, the great mysteries, and she knew how to listen with the heart that today burns in flames, illuminates her and fills her with purpose. I have used iridescent paint for the background and for the central lighting on the character's chest. In this way I obtain an almost three-dimensional effect due to the change in brightness and intensity of the color depending on the angle from which the work is observed. The only small impasto in the work is in the center of the light between the hands, the rest of the brushstrokes being thin and without exaggerated texture. Between one and three layers of paint have been carried out in total on the work, the last few of which have been glazes to adjust tone and saturation.